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Yayoi Kusama: Infinity Mirrors, the first institutional survey exhibition to explore the evolution of the celebrated Japanese artist’s immersive infinity rooms, will embark on the most significant North American tour of her work in nearly two decades. Following its debut at the Hirshhorn Museum and Sculpture Garden on Feb. 23, 2017, which is the organizing institution, Yayoi Kusama: Infinity Mirrors will travel to four major museums in the United States and Canada, including the Seattle Art Museum (June 30–Sept. 10, 2017), The Broad in Los Angeles (October 2017–January 2018), the Art Gallery of Ontario (March—May 2018), and the Cleveland Museum of Art (July–October 2018).

Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of Kusama’s most iconic kaleidoscopic environments at once, alongside large-scale, whimsical installations and key paintings, sculptures and works on paper from the early 1950s to the present. It also marks the North American debut of numerous new works by the 87-year-old artist, who is still actively creating in her Tokyo studio. These include large-scale, vibrantly colored paintings and the recently realized infinity room, All the Eternal Love I have for Pumpkins (2016), featuring dozens of her signature bright yellow, dotted pumpkins.

“This is a rare opportunity to celebrate a living artist whose radical yet playful vision has had an amazing influence on art, design and contemporary culture throughout her decades of work,” said Stephan Jost, the AGO’s Michael and Sonja Koerner Director, and CEO. “We are thrilled to partner with such a renowned group of museum partners to bring Kusama’s creativity to Toronto.”

“Yayoi Kusama, who, at this stage of her career, is a worldwide phenomenon, has the ability to inspire audiences of all ages with the power of her art. It is a privilege and an honour to collaborate with our four partnering institutions to offer audiences across North America the opportunity to experience more than five decades of her artistic output,” said Melissa Chiu, the Hirshhorn’s director.






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