The Institute of Contemporary Art/Boston (ICA) celebrates its first decade of collecting and the tenth anniversary in its Diller Scofidio + Renfro-designed facility with the largest and most ambitious presentation of its collection to date. First Light: A Decade of Collecting at the ICA features over 100 works by seminal artists of the 20th and 21st centuries, including Louise Bourgeois, Nick Cave, Paul Chan, Marlene Dumas, Eva Hesse, Cindy Sherman, Kara Walker, and Andy Warhol. Occupying the entirety of the museum’s east galleries, First Light combines audience favorites with new acquisitions, many on view at the ICA for the first time.
This exhibition is organized by the ICA’s curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator. First Light: A Decade of Collecting at the ICA is on view from August 17, 2016 to January 16, 2017. During the first week of October, midway through the presentation, there will be a rotation of some of the sections (or “chapters”) enabling more of the collection to be showcased and new works and juxtapositions to be explored.
“First Light: A Decade of Collecting at the ICA provides a window onto contemporary artistic practice through the ICA collection. This series of simultaneous exhibitions reveals the driving visions of curators and collectors, the social, political, material, and aesthetic concerns of contemporary artists, and the history of ICA exhibitions over the past many years,” said Jill Medvedow, Ellen Matilda Poss Director. “The exhibition celebrates a monumental ten years at the ICA and marks a historic transformation in our community. We are very grateful to our generous supporters who have allowed us to grow the collection significantly and strategically.”
Conceived as a series of interrelated and stand-alone exhibitions, First Light is organized into thematic, artist-specific, and art-historical chapters that each tell a different story. The first section features three major highlights of the exhibition. These are:
• Paul Chan’s 2005 projected digital animation 1st Light, created for the ICA, was one of the first works to enter the collection, and the inspiration for the exhibition’s title. This significant moving-image piece highlights the ICA’s aim to collect works of art in diverse media and by important contemporary artists with a critical voice.
• Cornelia Parker’s Hanging Fire (Suspected Arson) (1999) is a favorite among visitors and the ICA’s first promised work. Parker’s first monographic exhibition was mounted at the original ICA facility in 2000.
• Kara Walker’s newly acquired monumental cut-paper silhouette tableau, The Nigger Huck Finn Pursues Happiness Beyond the Narrow Constraints of your Overdetermined Thesis on Freedom – Drawn and Quartered by Mister Kara Walkerberry, with Condolences to The Authors (2010), is prominently displayed. On view for the first time at the ICA, the combination of materials—cut-paper silhouettes, wall paint, and framed works on paper—is unusual within Walker’s oeuvre, making the work a major addition to the collection.
Other highlights include groupings of work by artists held in-depth in the collection including Louise Bourgeois, Rineke Dijkstra with Nan Goldin, and a gallery dedicated to objects from The Barbara Lee Collection of Art by Women. To accommodate the breadth of stories within the collection, several chapters will switch out halfway through the exhibition’s run. The Barbara Lee Collection of Art by Women and Soft Power galleries (described below) will be on view through January 16, serving as anchors to the overall exhibition.
A new, multimedia web platform at icaboston.org accompanies the exhibition and features descriptions of the works, interviews with artists, and commentary by current and former ICA curators reflecting on works that entered the collection during their tenure. The content-rich microsite will launch in tandem with the exhibition.
“In ten years, the ICA has established a collection of great variety, ranging from historically significant work of figures such as Eva Hesse and Louise Bourgeois to the contemporary explorations of leading artists such as Kara Walker and Paul Chan,” said Eva Respini, Barbara Lee Chief Curator. “The work in First Light represents a broad range of art-making today by artists who explore the issues of our time.”
First Light explores a diversity of narratives from biography and material to feminism and appropriation in the following sections or chapters.
This exhibition is organized by the ICA’s curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator. First Light: A Decade of Collecting at the ICA is on view from August 17, 2016 to January 16, 2017. During the first week of October, midway through the presentation, there will be a rotation of some of the sections (or “chapters”) enabling more of the collection to be showcased and new works and juxtapositions to be explored.
“First Light: A Decade of Collecting at the ICA provides a window onto contemporary artistic practice through the ICA collection. This series of simultaneous exhibitions reveals the driving visions of curators and collectors, the social, political, material, and aesthetic concerns of contemporary artists, and the history of ICA exhibitions over the past many years,” said Jill Medvedow, Ellen Matilda Poss Director. “The exhibition celebrates a monumental ten years at the ICA and marks a historic transformation in our community. We are very grateful to our generous supporters who have allowed us to grow the collection significantly and strategically.”
Conceived as a series of interrelated and stand-alone exhibitions, First Light is organized into thematic, artist-specific, and art-historical chapters that each tell a different story. The first section features three major highlights of the exhibition. These are:
• Paul Chan’s 2005 projected digital animation 1st Light, created for the ICA, was one of the first works to enter the collection, and the inspiration for the exhibition’s title. This significant moving-image piece highlights the ICA’s aim to collect works of art in diverse media and by important contemporary artists with a critical voice.
• Cornelia Parker’s Hanging Fire (Suspected Arson) (1999) is a favorite among visitors and the ICA’s first promised work. Parker’s first monographic exhibition was mounted at the original ICA facility in 2000.
• Kara Walker’s newly acquired monumental cut-paper silhouette tableau, The Nigger Huck Finn Pursues Happiness Beyond the Narrow Constraints of your Overdetermined Thesis on Freedom – Drawn and Quartered by Mister Kara Walkerberry, with Condolences to The Authors (2010), is prominently displayed. On view for the first time at the ICA, the combination of materials—cut-paper silhouettes, wall paint, and framed works on paper—is unusual within Walker’s oeuvre, making the work a major addition to the collection.
Other highlights include groupings of work by artists held in-depth in the collection including Louise Bourgeois, Rineke Dijkstra with Nan Goldin, and a gallery dedicated to objects from The Barbara Lee Collection of Art by Women. To accommodate the breadth of stories within the collection, several chapters will switch out halfway through the exhibition’s run. The Barbara Lee Collection of Art by Women and Soft Power galleries (described below) will be on view through January 16, serving as anchors to the overall exhibition.
A new, multimedia web platform at icaboston.org accompanies the exhibition and features descriptions of the works, interviews with artists, and commentary by current and former ICA curators reflecting on works that entered the collection during their tenure. The content-rich microsite will launch in tandem with the exhibition.
“In ten years, the ICA has established a collection of great variety, ranging from historically significant work of figures such as Eva Hesse and Louise Bourgeois to the contemporary explorations of leading artists such as Kara Walker and Paul Chan,” said Eva Respini, Barbara Lee Chief Curator. “The work in First Light represents a broad range of art-making today by artists who explore the issues of our time.”
First Light explores a diversity of narratives from biography and material to feminism and appropriation in the following sections or chapters.
No comments:
Post a Comment